Is It Autobiographical?

 

Mirror, mirrorNo.

Actually, I doubt an author can avoid putting something of himself or herself in a story. Usually, it's limited to the author's "voice", the unique style, pacing and verbiage that fingerprint a story. That's the part that's all me.

How much of the STORY is true? Not much.

Adultery -totally fiction. 

Bobbi- not totally fiction. She has more of me in her than any character I've written. That may be because she was my first major character. We have similar thought processes, and similar flaws. I've gone through some of the same faith crises. But she's not me.

Gavin- not totally fiction. He is modeled heavily on my husband. In fact, on a couple of occasions, I gave him the situation and took his answers and turned them into Gavin's dialogue. Made my job easier.

A good friend has two sons who were Brad's & Joel's ages when I started working on the book, so they served as guides for developing the boys' characters. 

Is it still REAL?

I hope so. And by "real", I mean realistic, genuine, believable. As I filled in the backstory for the characters, (most of which never made it into the book) they began to be less figments of my imagination and much more "real".

I hope you identify with Bobbi as she struggles to forgive. I hope you sympathize with Chuck's struggle to make things right. And I hope you come away wanting to know how Bobbi and Chuck are doing a few years down the road.

Contingency
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How Contingency Happened

 

Everyone writes differently. I don't outline extensively or chart scenes. I've learned more about how to pull a story together as I wrote Contingency, but here's the general process I followed.

Plot draft - Work out the plot details, including the inciting incident, the conflict and resolution. I got constant feedback from a small group of readers to ensure I was getting things across and pushing all the correct emotional buttons. After this draft, I added the character of Chuck's mother.

Opening – I rearranged, cut and reworked the opening chapter so that it introduced the disaster quickly and kept the emotional pitch high through the first several chapters.

Fat trimming - If it didn't move the plot forward, it got cut. I also rewrote the adverbs as body language or action to 'show' the concept rather than tell you the word.

POV - Each scene needs a single, defined point of view. We can only know one character's thoughts per scene. Some of my scenes had very wishy-washy POVs

Flashbacks - This allowed me to deepen Chuck's character, and explore what made him so vulnerable to an affair.

More fat trimming - If the scene wasn't Bobbi's or Chuck's POV it got cut, except for a few rare exceptions. I also cut out unnecessary attributions in dialogue. (Fewer occurrences of he said.) 

Death to passive and weak verbs – We don't want to be acted upon, we want action. We rarely ever need "had". 

Spelling, typos & punctuation. - This is one of the toughest read-throughs for me. I see what I meant to write, not what's there, so I review the chapters in random order and use a ruler to check line-by-line. (Then I have one of my reading buddies double-check it for me.)

Whew! 8 drafts? At least. 

 

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Why Contingency?

 

Between 1998 and 2005, I wrote for children off and on. I have a folder of rejection letters and a string of annoyed acquisitions editors, I'm sure, to show for it. But mid-2005, I felt this nudge.

There's more to be told.

So many people question that Scripture is relevant, that it has the answers for us in this day and age, that it can speak to the deepest cries of our hearts. I believe it is, it does and it absolutely can. To demonstrate that, I wanted to develop a story where I took believers, and put them in a very difficult – but still somewhat common – situation and then walk them through it. So what is the toughest situation believers face? Hmmm…

Infidelity

A blatant sin. How do you balance that with grace and forgiveness? What do you do with the hurt? How do you find restoration? But this is not a manual. It's a story.

I needed characters.

Characters that aren't perfect, who struggle with doing the right thing, who represent us. Bobbi is a teacher. We know teachers. She's a mom and a wife. We know moms and wives.  We know these people. They could be living next door. They could be us.

Chuck is a lawyer because I didn't want finances to be an issue for them. Brad and Joel are good kids, again, because I wanted the focus to be on one issue. However, I know in real life, we rarely have the luxury of single-file crises.

Rita is there to say what we think, what we WANT to say, but don't. So many other characters are there to steer them the right direction. Tracy is in the background because the story is about Chuck and Bobbi reconciling. 

Details

I chose St. Louis for the setting – A. because its less than 3 hours from where I live, and B. because it's middle America.  I had done a writing exercise a few months earlier and that became the opening. (That original stuff now resides – carefully edited and revised, of course – page or two into it.) 

The Takeaway

The point is, even in the best situation, recovering from adultery is difficult. Faith doesn't lead to pat answers. We hurt others. We get hurt. We struggle and we sometimes fail. But we are never hopeless and abandoned. Redemption happens.

 

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Introducing Rita

In Chapter 2, we meet one of my favorite supporting characters– Bobbi's older sister, Rita. She is volatile, and opinionated, but reacts like a mother bear when her baby sister is hurt. She's been the surrogate mother sine their mother died almost thirty years ago.

I love Rita because she SAYS all those things we think, but would never say out loud. She usually pays a price for that outspoken bent. Deep down, though, she has a good heart, and truly wants to protect Bobbi. 

Be sure to look for some of Rita's finest moments in Deleted Scenes. Alas, as much as I love her, I cut most of her scenes in order to develop Chuck's character.

He Is So Cheating

Every time I go back and read through Chapter 1, I want to tell Bobbi, "Oh girl, he is SO cheating on you." That long discovery process helps build some tension since you, the reader, know more than the character does at that point.

Another question Bobbi asks worth discussing comes as she holds their family photo. "Have I set him up to take advantage of me?" Usually we think affairs result when their a lack of spousal support. As the book progresses, we find out that's not the case with Bobbi, but I wanted to get inside her head for just a moment, and see what kinds of thought were among the millions racing around in there.